Meet Nesma Amin, our Founder of the Month

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OPENING NOTE

Basking in the Cairene breeze

Good morning, folks, and happy weekend. It’s been a packed week at home and abroad, and we run through the headlines that shaped it below.

Also today, we spotlight Nesma Amin, founder of Aziza and our Founder of the Month. The Egyptian femtech startup is an Arabic-language, offline-first period-tracking app that needs only a phone number to register, and Amin puts the broader MENA femtech window at USD 3.8 bn by 2030.

On the reviews front, we catch Sense and Sensibility at the movies, visit a food joint that treats fries as the main event instead of a “Side Piece,” blow off some steam with Resident Evil 7, and more.

Let’s dive in.

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THIS WEEKEND

Ramy Sabry, Angham, and jazz

It’s a cool, breezy weekend, which makes it the perfect weather for al fresco dining. If you’re heading out tonight, Angham becomes the first Arab artist to perform at the New Capital Opera House at 8pm, and the Cairo Jazz Festival runs at AUC Tahrir Square through tomorrow. Here’s what’s happening.

☀️ THE WEATHER THIS WEEKEND-

Things are cooling down in C-town this weekend, with temperatures peaking at 25°C today before dipping to 17°C overnight under partly cloudy skies. Tomorrow will be cooler still, with a high of 23°C and some sunshine and a low of 16°C overnight, according to our favorite weather app.

HAPPENING THIS WEEKEND-

Ramy Sabry is celebrating 20 years in music tonight at 9pm with a concert at New Cairo’s El Arena. The pop icon will mark two decades in the industry with a setlist of all the hits that defined his career. You can grab your tickets on TicketsMarché.

Superstar Angham is heading to the New Capital Opera House at the City of Arts and Culture tonight, becoming the first Arab artist to perform at the venue. In celebration of Egyptian Valentine’s Day, the singer will take the stage at 8pm alongside maestro Hany Farahat for an elegant evening of music. Tickets are selling fast; secure yours before they’re gone through Tazkarti.

Up for an Alex comedy trip? Comedian and actor Ahmed Amin is making his first stop in Egypt on his world tour Meen Amin in Alexandria at Al Anfoushy Theater tonight at 8pm. Expect Amin’s signature humor as he takes his audience through stories about his life and what makes him who he is. Tickets are available through TicketsMarché.

This one’s for the old-school crowd. Musical legend Mohamed Fawzi is getting a theatrical tribute at The Theater, Movenpick in 6th of October City, with performances taking place today and tomorrow. Titled Fen Alby, the show celebrates the iconic singer and composer’s legacy through a song-and-dance journey of his life and artistic career, featuring some of his timeless classics. The show kicks off at 9pm every night, with tickets available on TicketsMarché.

Jazz lovers, your favorite festival is back. The Cairo Jazz Festival returns to AUC Tahrir Square for a packed weekend of live music, still running until tomorrow. This year’s program celebrates the global spirit of jazz with performances by Egyptian and international artists from 12 countries, including Hisham Kharma, Danish singer Nana Rashid, Amsterdam-founded band ARIFA, and more, with additional performances at Bibliotheca Alexandrina. A selection of workshops, talks, and special activities for your little ones also features on the program. Head to TicketsMarché for more details and tickets.

LATER IN THE WEEK-

The Future Hospitality Summit (FHS) is coming to Egypt for the first time, taking place at Sofitel Downtown Cairo on Tuesday, 10 November and Wednesday, 11 November. Set against Egypt’s ongoing hotel boom, the two-day summit brings all the hospitality conversations in one room — from market trends and investment to tourism and branded residences — under the theme “Where Heritage Inspires Investment.”

Attendees will include international hotel groups, developers, investors, government leaders, and industry specialists, with dedicated forums including the FHS DealRoom and FHS Living, alongside a networking program of over 300 hospitality professionals. For more information and event passes, you can visit the FHS website.

This year’s winter Fustat Festival is welcoming Lebanese singer Hiba Tawaji, who will perform alongside Lebanese musical director and composer Oussama Rahbani on Friday, 13 November. Expect a live performance showcasing Tawaji’s vocals and Rahbani’s emotional compositions. The show starts at 9:45pm. You can grab tickets on TicketsMarché.


What should we teach our kids in the age of AI? And on the policy-level, where do we start? On this episode of Making It, Sherif Kamel, dean of AUC’s Onsi Sawiris School of Business, discusses how AI shows up in the classroom.

Listen to the episode on: Apple Podcasts | Spotify | Anghami | YouTube

Sign up here to get Making It in your inbox.

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FOUNDER OF THE MONTH

Meet Nesma Amin, founder of the first Egyptian-speaking app for women’s reproductive health

When Nesma Amin (LinkedIn) set out to create Aziza, a women’s health app built entirely around colloquial Egyptian Arabic, she turned to the women closest to her for inspiration. She asked her mother to poll friends and relatives about the words they use to refer to periods, given the social discomfort and taboo around saying the word outright. The responses ranged from “the pyramids” to “El Beta’a” (the thing). Aziza was among the suggestions, and everything clicked for Amin when she knew she had found the right name.

Amin and co-founder Ali Alaa (LinkedIn) wanted a woman’s name that carried emotional weight. They initially considered Latifa, meaning gentle, before settling on Aziza, which translates to dear or precious and is a familiar name in many Egyptian families. Amin says the responses have been mixed: some women named Aziza were pleased to see their name on a women’s health app, while others still felt embarrassed by the association.

So, who is Aziza?

Aziza is an Egyptian Arabic app built to improve women’s menstrual health, pairing an easy-to-use period tracker with clear, jargonfree health information. Users log symptoms each day, and the app sends reminders ahead of their period and fertile days. Its health articles sit alongside the tracker in the same dialect, and Amin says its users range from women preparing for marriage to new mothers dealing with postpartum hormonal shifts.

The founders had originally planned for women aged 18 and older. “After launching, we noticed a huge wave of organic sign-ups from young girls aged 12 and 13 who had just started their periods,” Amin tells EnterpriseAM. Girls that age often don’t know who to ask, and many worry that their naturally irregular cycles mean something is wrong. Aziza changed its onboarding so younger users get no stressful alerts about a late period and are told that irregular cycles are normal at their age. The app’s blog now runs content flagged for ages 12 and up, among them a piece on getting your period at school.

More than 90% of Aziza’s users are on Android, so the team tests the app on older, cheaper phones. Budget handsets still caught them off guard. “We didn’t fully see the actual user experience until users started sending us screenshots of bugs or display issues,” Amin says. “We would look at them and say, ‘Why does it look like that? It doesn’t look like that on my Android phone.’” Display and responsiveness vary from one phone to the next, and Amin admits the app still doesn’t run perfectly on all of them.

Bumps in the road

Patchy data was the next problem. Since launch, Aziza has added offline access so women can check their cycles and read some health information without a connection. “A woman might have internet, but she doesn’t have internet access 24 hours a day. She might only be able to turn on her mobile data for just 30 minutes a day,” Amin says. “I want those 30 minutes of connectivity to be enough for her to get everything she needs for the day.”

Shared phones forced another fix. Sisters, or a mother and daughter, often use Aziza on the same device with separate accounts, and the app can’t merge their data for privacy reasons. The team made sign-in and password recovery simpler for users who, as Amin puts it, forget their passwords every day.

The woman behind the app

Amin started out as an engineer. She studied digital media engineering and technology at the German University in Cairo, earned a computer science and software engineering degree, then steered away from a career writing backend code. While most of her classmates went into corporate and multinational jobs, she joined a software agency founded by alumni of her university as a project manager on web and mobile builds and stayed in product management from there.

Women’s health came next. At a healthcare social enterprise, Amin ran product for its digital health tools and built its tech team in-house. She also managed women-friendly health services in Manshiyat Naser, an underserved Cairo neighborhood, where the project trained primary healthcare workers and local clinic and hospital staff to improve reproductive and sexual healthcare for women.

A head of product role at a fertility diagnostics startup then took her to Germany. The company’s tool used predictive algorithms to spot hormonal and fertility conditions in women who had been trying to conceive for over six months. Amin arrived right after a funding round and oversaw the product as the company moved from selling to German consumers to selling to US businesses. She came away convinced that women’s health products have to start with the menstrual cycle.

By then she knew she wanted to build for Egypt’s mass market. Local startups mostly served the 5-6% of Egyptians who are affluent and comfortable with English-first apps, she says, leaving more than 90% of the population without localized digital products. “I didn’t want any Egyptian woman, regardless of her background or region, to feel like a product wasn’t designed specifically for her.”

In May 2023, she pitched the idea to Alaa, a software developer. A first version was ready by late August. After testing with friends and family, Aziza went live on the App Store and Google Play in November 2023, and Amin says no Egyptian app had been dedicated to period tracking and women’s health before it. Sign-ups came in with no marketing spend while both founders kept their full-time jobs; Amin then left hers four months after launch to run Aziza as CEO.

Making money moves

So far, Aziza is bootstrapped. It’s been running on self-funding and revenue, topped up with prize money from startup competitions, and has raised no outside equity. Amin wanted an impact business that earns its keep and can scale and decided early against running it as a non-governmental organization (NGO). In 2025, content partnerships with United Nations agencies and other organizations paying for women’s health awareness brought in enough to sustain operations. Aziza also takes a revenue share from healthcare providers such as HealthTag that offer in-person services to its users.

Paid extras for the app are also under study. Amin’s example is a woman who spends EGP 50 on a clinic visit plus transport, who might instead pay EGP 20-30 for a digital triage or consultation in the app. Basic tracking will stay at no cost, and Amin says nothing already in the app will ever sit behind a paywall.

Aziza also gets offline help from 75 medical students across the country. They volunteer as ambassadors and fold menstrual health workshops into the medical convoys and field training their degrees already involve. Aziza provides the training and materials and pays for the sessions, which run at NGOs and community centers. Amin says the network spans more than 80% of Egypt’s governorates and gives the company a way to get first-hand experience at what’s happening on the ground.

What’s next for Aziza?

The founders plan to open a formal funding round in 2027, once they have pinned down their revenue streams. Investors agree the market is there, Amin says, but the model is where conversations get hard. The question she always hears from venture capital investors (VCs) is how Aziza will balance social impact with fast revenue growth. “VCs look for rapid 7x-10x revenue scaling. Those numbers are aggressive for any startup, let alone a female-led startup working in women’s health within a highly stigmatized market.” Female founders in femtech face documented fundraising gaps, she adds, a pattern she traces to how investors read risk and how women present their numbers. She accepts that an app with no charge to users is an unusual VC pitch and is banking on impact investors and strategic backers to fund the round.

Amin wants to take Aziza from 170k active users today to 1 mn in Egypt by early 2028. Her product plans center on artificial intelligence built natively in Arabic. “Global health datasets are heavily Westernized,” she says, arguing that Aziza’s local data can give women in Egypt and the region more relevant guidance.

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THE WEEK IN REVIEW

Half of BdC’s proceeds to the treasury

At home, capital markets and industrial milestones carried the week while the regional war and a weeks-long EGX sell-off sat in the background. Global headlines were dominated by America’s midterm elections, a wave of youth-led protests across Europe, and growing unease over who gets hurt if the AI wager sours. Here’s the rundown.

CAPITAL MARKETS-

The treasury will take up to half of the EGP 36.37 bn (c. USD 658 mn) raised in Banque du Caire’s (BdC) IPO and put it toward easing public debt pressures. That’s as much as c. EGP 18.2 bn (c. USD 329 mn). The proceeds from the offering will first go to Banque Misr, the owner of BdC, and then the Finance Ministry will handle the settlement. The state-backed lender closed up 0.19% on debut, following a blockbuster IPO that drew strong demand from foreign institutional and retail investors despite an ongoing regional war and a weeks-long EGX selloff.

MEANWHILE- The EGX30 closed October down 4.43% at 49.6k points, its second losing month in a row and the first time the benchmark has strung two together this year. The benchmark closed March, June, and September in the red. The index opened at 51.9k, touched 54.1k, and bottomed at 47.9k — an 11.4% peak-to-trough swing inside four weeks, by our math. The only index on the board to finish green was the EGX T-Bonds, up 0.88% to 2.7k. And only one sector held the line: food, beverages, and tobacco finished up 0.2%, making it the sole gainer out of 18.

ECONOMY-

The country’s non-oil private sector stayed in contraction in October, with output and new orders falling at their fastest in four months. The S&P Global Egypt PMI held at 47.2, unchanged from September — a 10th month below the 50.0 no-change mark and below the survey’s long-run average of 48.2 — while employment returned to decline and business confidence slipped to a seven-month low.

DEBT-

The government borrowed about EGP 4.3 tn from the domestic market in the first four months of FY 2026/27, funding the year almost entirely at home. The monthly split runs EGP 967 bn in July, EGP 969 bn in August, EGP 1.3 tn in September, and EGP 1.08 tn in October. Almost all of it is refinancing rather than new money. The ministry issues mostly short paper: bills made up 85% of accepted domestic issuance in the last quarter, for which it has published an issuance breakdown, against 15% for bonds.

ENERGY-

Petrojet will build the pipeline carrying Cypriot gas to Damietta: State-owned contractor Petrojet was awarded a USD 170 mn contract for an onshore gas pipeline connecting to the Damietta LNG export terminal. The line is part of the export route for Cyprus’ offshore Cronos field, which Eni — the project operator — says will restart the Damietta LNG plant and restore structural LNG exports from Egypt.

INVESTMENT-

Money market funds added roughly 4x as much in assets as equity funds in 1Q 2026 (EGP 55.2 bn against EGP 12.8 bn), by our math. That lead narrowed to about 1.6x in 2Q against the equity and Islamic equity lines (EGP 24.8 bn against EGP 15.3 bn) and reversed in 3Q. Still, the funds, which invest primarily in T-bills, short-term deposits, and certificates of deposit (CDs), held some EGP 303.1 bn by the end of September, or 60% of an industry that crossed half a tn to hit EGP 504.71 bn.

REAL ESTATE-

The Tahya Misr Fund reportedly plans to partner with private developer The Marq Communities to revive a stalled 900-feddan North Coast development targeting over EGP 150 bn in revenues. The project site, valued at c. EGP 6 bn, has reportedly been tangled in delivery delays dating back to 2016.

TRADE-

Egyptian granular urea is fetching about USD 535 a ton FOB in November contracts, up roughly 17% from about USD 457 in September. That makes Egypt the priciest origin of comparable regions, ahead of China, the rest of the Middle East, Nigeria, and Algeria. This price rally comes just as the government starts rationing the gas the plants run on: Kima told the EGX that its supplies were cut by 20% from noon on Sunday 1 November and that it has implemented the cut, with its urea plant still running normally.

MAJOR HEADLINES THIS WEEK-

Democrats swept the midterms, flipping Republican seats in traditionally conservative states and making gains in governors’ races. The results reflect voter anger over the cost of living and President Donald Trump’s handling of the Iran war.

Two Egyptian-Americans made history: Abdul El-Sayed won Michigan’s Senate race to become the first Muslim elected to the US Senate, and Adam Hamawy took New Jersey’s 12th District, making him the state’s first Muslim member of Congress. Texas elected Democrat Gina Hinojosa, its first Democratic governor since 1990, while Georgia’s Keisha Lance Bottoms became the first Black woman to lead a US state. Trump said he was willing to work with Democrats, but rejected the idea that the losses reflected on him, claiming Republicans would have won in a landslide had he been on the ballot.

MEANWHILE- Markets priced in the result. The USD fell to a one-month low against the EUR, GBP, JPY, and CHF as investors moved into Treasuries, pushing the 10-year yield down 4.7 basis points to 4.9% and the two-year down 3.7 basis points to 4.6%. Gold futures rose 2.8% to above USD 4k per troy ounce, with silver up 4.7% to USD 52.11, and platinum up 2.4% to USD 1.5k.

IN EUROPE- Protests continued in Germany, France, Spain, and Italy over the weekend, driven by living costs and poor public services. The worst violence hit Frankfurt, where tens of thousands marched under the banner “Gen Z regelt.” Masked rioters damaged 17 shops and looted five, and more than 100 police officers were injured. German ministers vowed harsh punishment.

MEANWHILE- Germany warned that spyware may have compromised the iPhones of government officials and lawmakers through a “zero-click” flaw. The Federal Office for Information Security told anyone who recently received an Apple security alert to treat their phone as unsafe. Chancellor Friedrich Merz’s spokesman declined to say whether Merz was a target. Separately, hackers raised fridge and freezer temperatures at supermarkets in eight European countries on Monday, forcing stores to throw out food. A similar attack hit dozens of French stores three weeks ago.

IN UKRAINE- Overnight Russian strikes hit energy facilities in four regions and cut power to hundreds of thousands of homes, Ukrainian President Volodymyr Zelenskyy said. Power was partly restored on Sunday as a rare humanitarian ceasefire in Kherson, which allowed civilians to leave Russian-held Oleshky, came to an end.

IN THE BUSINESS PRESS- Binance said it has replaced 90% of the funds stolen in a record USD 6.3 bn hack, using company money to buy new tokens. The FBI has blamed North Korea. Investors are hedging against an AI downturn: credit-default swaps on Amazon, Alphabet, Microsoft, Meta, and Oracle hit their highest level since 2021. And Nvidia told data center partners they must sell at least 51% of their cloud services to non-Chinese customers under new contracts.

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At the Movies

New Sense and Sensibility adaptation strips Jane Austen of the usual romantic glamor

Love and social constraints collide in rural England: In her new film Sense and Sensibility, British director Georgia Oakley revisits Jane Austen’s classic and puts the bond between sisters Elinor and Marianne at the heart of the story. Oakley works through the small details of daily life in the English countryside to show how tradition and money can shrink women’s options. The result? A grounded take that has little in common with the polished, idealized look period films usually go for.

The plot: Elinor (Daisy Edgar-Jones), Marianne (Esmé Creed-Miles), and their mother lose their home and their financial security when the girls’ father dies, and the estate passes to their half-brother and his wife. The family then moves into a modest cottage in rural Devonshire. Level-headed Elinor tries to hide her feelings for Edward Ferrars (George MacKay), while Marianne falls hard for the fickle young Willoughby (Frank Dillane). Romances stall and hopes fade, and the sisters cross paths with Colonel Brandon (Herbert Nordrum) and the nosy Mrs. Jennings (Fiona Shaw). Through all the love and heartbreak, the bond between two very different sisters holds strong.

What we liked: Diana Reid’s screenplay is at its best in the small details that show how money and social standing decide the characters’ fates, without stopping for a history lesson on the way. Visually, the film skips the glossy finish typical of period dramas in favor of natural light and earthy tones. The landscape mirrors what the characters are feeling, with fields and muddy roads tracking the sisters’ mood shifts. The plain costumes also make the sisters’ world feel lived-in and unforced, a long way from the stiff, museum-piece sets of the genre.

Our verdict: This version of the Jane Austen classic stands out for how it shows two very different sisters dealing with loss and heartbreak as they look for security and stability. Oakley strips away the excess romantic gloss and gets closer to what life was like for women of the era, where passion keeps running into financial limitations, and the sisters become each other’s rocks through the storm. The film stays true to Austen’s spirit and gives her story real intimacy while keeping it grounded.

WHERE TO WATCH- Catch Sense and Sensibility at VOX Cinemas in City Center Almaza, Mall of Egypt, and Alexandria; City Stars Cinema; Scene Cinemas in Cairo Festival City and District 5; Cima Arkan; Point 90 Cinema; and Zawya Cinema. Watch the trailer on YouTube (watch, runtime: 02:39)

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Hot and Fresh Out of the Kitchen

Side Piece makes a meal out of fries at The Drive

It’s one thing to indulge in a pack of French fries on the side, but it’s another to fully commit to the fried Dutch-adopted delicacy and make it your main meal. Side Piece is on a mission to bring the beloved side to the center of the plate. Newly minted at the locally focused The Drive 1, Side Piece knows its way around a good fry, specializing in the art of 12mm-thick, Dutch-style fries, cut fresh daily, and double-fried to perfection.

First impressions: The spot is small and, as expected, casual, with just four tables set up beside the booth for those coming to sit and eat — and we were there for the latter. Because we visited on a weekday, we easily snapped up a table, but we expect it to be a different story on weekends.

On to the menu: Fries come in three sizes — medium (for one), large (for one particularly hungry person), and a whole-kilo cone (ideal for sharing between four), with the first two sizes available in either a cone or a plate. As for sauces, there are 12 house-made options to choose from, ranging from familiar condiments to more adventurous options such as avocado lime, Korean BBQ, mango chutney mayo, and chipotle mayo. If you’re after something more substantial, four loaded-fries options are on offer: smoky brisket, Mexican beef, buffalo ranch, and Tokyo teriyaki. A selection of dirty sodas and even brownie fries for dessert round out the menu.

What we tried, and enjoyed: Arriving on empty stomachs, we naturally gravitated toward the loaded fries, opting for the can’t-go-wrong classic smoky brisket for a little added protein. Tempted by the range of sauces, we couldn’t resist ordering an extra medium plate of fries, split between avocado lime and truffle mushroom mayo. The fries were everything we expected: fresh, crispy, and well-seasoned, with the potato skins left on for that extra bit of texture and flavour. The smoky brisket loaded fries were a delicious affair, topped with a tasty combination of BBQ and cheese sauces, a generous helping of tender brisket, and a few tempura onion rings to finish things off.

And for the smallest size on offer, the medium plate was impressively generous. The avocado lime sauce was a standout, bringing a strong, zesty kick that cut through the richness of the fries. The truffle mushroom mayo also delivered, with the earthy truffle flavor balancing nicely against the creamy mayo.

The verdict: Side Piece is where you want to go when all you’re craving is a fresh batch of fries, made with care and exceptionally well. It does justice to a classic, making a convincing case for fries as a meal in their own right — at least occasionally. Whether you’re after a quick on-the-go snack or a casual lunch with friends and a serious fries craving, Side Piece is well worth a try.

WHERE TO FIND IT- Side Piece opened at The Drive 1 in New Cairo.

💵 Per person: EGP 300-700

🪑 Outdoor seating: Yes

🍺 Alcohol: No

🦽 Accessibility friendly: Yes

7

PASS THE CONTROLLER

Nine years on, Resident Evil 7 still sets Capcom’s horror template

Sometimes, to save a monster, you have to strip it down to the bone. By 2012, Resident Evil had drifted far from its roots. Resident Evil 6 ran four co-op campaigns starring Leon Kennedy, Chris Redfield, Jake Muller, and Ada Wong, and one critic called it a Michael Bay-inspired action fest with almost no horror. Whatever it did at the till, it wasn’t scary, and the franchise’s soul was fading.

The Bayou pivot: Resident Evil 7: Biohazard landed on 24 January 2017, and Capcom took a risk. It benched its legacy characters for Ethan Winters, a civilian led to a derelict plantation in Dulvey, Louisiana in search of his missing wife. It also moved the camera into first person, a first for a mainline entry. The PlayStation VR mode snagged Best VR Game at the 2017 Golden Joystick Awards, though it left some players queasy.

How it plays: You explore the Baker family’s estate through Capcom’s claustrophobic “Isolated View,” solving puzzles, managing scarce resources, and fighting off the mold-infected Molded with a handgun and a makeshift flamethrower. There are no quick-time events to break the spell. The Bakers, seemingly immortal, hunt Ethan through the house, and critics did knock the boss fights and the limited enemy variety.

The birth of an era: The gamble paid off. Trapped with the psychotic, seemingly unkillable Bakers, players were scared again, thanks to slow-burn tension and grotesque body horror. Capcom shipped 2.5 mn copies within days, the demo was downloaded more than 7 mn times, and the game passed 10 mn in sales and shipments almost five years after launch. RE7 was also the first full-length game on Capcom’s RE Engine, which went on to power the RE2 Remake, Devil May Cry 5, Village, and this year’s Requiem.

The legacy: RE7 reset the series. Requiem, released on 27 February 2026, shows how far it reaches. Grace Ashcroft’s sections continue the survival horror of RE7 and Village, while Leon’s, his first major appearance since RE6, lean into action. RE7 proved survival horror still had teeth, and Capcom has been balancing it against firepower ever since.

💯 Rating: 86/100 (Metacritic)

⌛ Hours of gameplay: ~10-12 hours

🔁 Replay value: 8/10 - Multiple endings

👾 Platforms: PS4, Xbox One, PC, PSVR

💵 Price: Frequently under USD 10

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WHAT TO LISTEN TO

David Beckworth’s Macro Musings is dense, US-focused, and worth it if you already speak monetary policy

For anyone who wants to understand how central banks work instead of just reacting to their decisions, Macro Musings is one of the richest shows in the genre. Host and economist David Beckworth has run it since 2016 with a single aim: bring on leading voices to dig into how money works, from interest rates and inflation to the Federal Reserve and the USD, without watering anything down. It rewards listeners who genuinely care about the subject.

What to expect: Beckworth is a senior research fellow at George Mason University’s Mercatus Center and a former international economist at the US Treasury. His weekly conversations on macroeconomics draw on a guest list of specialists, from regional Fed presidents to Nobel laureates, academics, and financial journalists. The tone is peer-to-peer, and the show assumes you already know your economics basics. Full transcripts with source links accompany every episode, so it works as a reference as much as a listen.

Why does the USD dominate the world? That’s the question one episode of the podcast sets out to answer. Beckworth brings together three authors of new books on the topic: economic historian Barry Eichengreen and journalists Paul Blustein and Brendan Greeley. They cover the history of dominant currencies, whether the world will always settle on a single reserve currency, the “exorbitant privilege” the USD gives the US, and where digital money and a second China shock fit into the picture.

What we liked: Depth is the whole point of the show, and that’s rare. Because Beckworth is an economist himself, he asks the questions an informed listener would ask and goes into details a generalist host would skip. The result is a focused conversation with almost no filler. Written transcripts with links for every episode make it a real research tool rather than just another podcast, and guest quality stays consistently high. This is practicing monetary economists talking to each other.

What we didn’t: The show is pitched at people fluent in monetary policy. Listeners without that grounding will be lost in most episodes, since Beckworth makes little effort to simplify for newcomers. It’s also heavily US-focused, dominated by the Fed, US fiscal policy, and the USD, so its relevance to MENA listeners comes mostly through global spillovers rather than direct coverage.

Our verdict: This isn’t a starting point for beginners, but it goes deep in the right way. Think of it as where you graduate to once the basics bore you. For specialists who want to follow the debates shaping global monetary policy, it’s a gold mine.

WHERE TO LISTEN- Tune in on Apple Podcasts | Spotify | Anghami.


NOVEMBER

1 November (Sunday): Eternal Sun: An Immersive Light Experience at the Grand Egyptian Museum.

7 October - 13 November (Wednesday-Friday): Khayal Mareed at Theatro Arkan.

5-7 November (Thursday-Saturday): Cairo Jazz Festival at AUC Tahrir Square.

5-14 November (Thursday-Saturday): Mohamed Fawzi’s play at The Theater, Movenpick, 6th of October City.

5-28 November (Thursday-Saturday): Mina Nader The Egyptian Tour.

6 November (Friday): Meen Amin with Ahmed Amin at Al Anfoushy Theater, Alexandria.

6 November (Friday): Angham at the New Opera House in the City of Arts and Culture.

6 November (Friday): 20 Years of Ramy Sabry at El Arena.

7 November (Saturday): Collective Coffee Summit at East Walk Mall.

10-11 November (Tuesday-Wednesday): Future Hospitality Summit (FHS) at Sofitel Downtown Cairo.

11-20 November (Wednesday-Friday): Cairo International Film Festival at Cairo Opera House, Zamalek.

12 November (Thursday): Meen Amin with Ahmed Amin at Ewart Memorial Hall, AUC Tahrir Square.

12 November (Thursday): Mazaher at Teatro 90.

12-14 November (Thursday-Saturday): Max Amini at St. Regis, New Capital.

13 November (Friday): Hiba Tawaji with Oussama Rahbani at Fustat Festival.

13-14 November (Friday-Saturday): Egypt Fashion Week at the Agricultural Museum.

13-15 November (Friday-Sunday): Cairo Comix Festival at Mahmoud Mokhtar Cultural Center, Zamalek.

14 November (Saturday): Trauma comedy special by Momos at CJC 610.

14 November (Saturday): El Leila El Kebeera at Theatro Arkan.

19 November (Thursday): Medhat Saleh and Wael Jassar fundraising concert at Abdeen Palace.

19 November (Thursday): Meen Amin with Ahmed Amin at Theatro Arkan.

19-21 November (Thursday-Saturday): Private Label Egypt at Cairo International Convention Center.

20-28 November (Friday-Saturday): Cairo Design Week.

20 November (Friday): Saad El Oud at Ewart Memorial Hall, AUC Tahrir Square.

20-21 November (Friday-Saturday): Trevor Noah at UTH Festival at the GEM.

21 November (Saturday): Carerha Summit at O West Orascom Development.

21 November (Saturday): El Gouna Half Marathon.

27 November (Friday): Red Bull Symphonic: Tul8te and Nayer Nagui at Mohamed Ali Palace.

27 November (Friday): Tawfeek El Ha2ee2y at Teatro 90.

27 November (Friday): Tamer Ashour at Fustat Festival, Fustat Arena.

28 November (Saturday): Omar El Gamal Vol.70 at Al Manara Main Hall.

28 November (Saturday): Sammy Obeid The Wit Supremacy Tour at Teatro 90, New Cairo.

DECEMBER

3 December (Thursday): Amr Diab at Al Manara Arena.

4 December (Friday): Ghostly Kisses at Zed Park, Sheikh Zayed.

4-12 December (Friday-Saturday): El Gouna Photo Week at Marina Abu Tig 2, Main Festival Hub.

5 December (Saturday): Saint Levant at Zed Park, El Sheikh Zayed.

11 December (Friday): The Greatest Hits Symphonic at the Grand Egyptian Museum.

11-12 December (Friday-Saturday): The Marakez Pyramids Half Marathon at The Great Pyramids of Giza.

12 December (Saturday): Cairo Bites at The Grand Egyptian Museum.

15 December (Tuesday): Neo Gen Conference at The St. Regis Cairo.

16 December (Wednesday): Dr. Khaled Ghattass at Bibliotheca Alexandria.

2027

JANUARY

20 January - 2 February (Wednesday-Tuesday): The Cairo International Book Fair at the Egypt International Exhibitions Centre.

27-30 January (Wednesday-Saturday): Oliver The Musical S4 by Fabrica.

APRIL

2 April (Friday): Shakira at The Great Pyramids of Giza.

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