{"id":675988,"date":"2025-11-21T00:00:00","date_gmt":"2025-11-21T00:00:00","guid":{"rendered":"https:\/\/enterpriseam.com\/egypt\/2025\/11\/21\/spring-came-on-laughing-a-masterclass-in-narrative-storytelling\/"},"modified":"2025-11-21T00:00:00","modified_gmt":"2025-11-21T00:00:00","slug":"spring-came-on-laughing-a-masterclass-in-narrative-storytelling","status":"publish","type":"post","link":"https:\/\/enterpriseam.com\/egypt\/2025\/11\/21\/spring-came-on-laughing-a-masterclass-in-narrative-storytelling\/","title":{"rendered":"Spring Came on Laughing: A masterclass in narrative storytelling"},"content":{"rendered":"<p style=\"padding:0;margin:0;line-height:1.15;orphans:2;widows:2;text-align:left\"> ? <strong>Spring<\/strong><strong> came on laughing, only to find me melancholic.<\/strong> With a title inspired by Salah Jahin\u2019s poem, Dakhal Al Rabie Yadhak, or <a target=\"_blank\" href=\"https:\/\/www.imdb.com\/title\/tt28538211\/\" style=\"\" rel=\"noopener\">Spring Came on Laughing<\/a>, masterfully portrays the tumultuousness of life \u2014 its sorrows, contradictions, and ironies \u2014 across the many months of the year. The film, which marks writer and director Noha Adel\u2019s feature debut, was the recipient of <a target=\"_blank\" href=\"https:\/\/www.almasryalyoum.com\/news\/details\/3312788\" style=\"\" rel=\"noopener\">four awards<\/a> at the 2024 Cairo International Film Festival (CIFF), garnering widespread acclaim from both audiences and critics alike. <\/p>\n<p style=\"padding:0;margin:0;line-height:1.15;orphans:2;widows:2;text-align:left\"><strong>The film encompasses four distinct stories <\/strong>\u2014 the first taking place in the month of June, featuring an elderly woman, her divorced daughter, her neighbor, and his emigrant son. Another story takes place in May, where a group of middle-aged friends are celebrating one of their birthdays. The third in April, which centers on a women\u2019s beauty salon and its many workers and patrons. The fourth and final story takes us back to March, with a bride, her mother, and her friends. That is all we can share about the plot for now without spoilers.<\/p>\n<p style=\"padding:0;margin:0;line-height:1.15;orphans:2;widows:2;text-align:left\"><strong>Dialogue is the pillar upon which this film stands<\/strong>. Less scripted and more so improvised in feeling, the four narratives present a brief glimpse into the lives of our female protagonists. The viewer doesn\u2019t know much about their past beyond what is told, though that is sufficient to form a well-rounded idea of their lives, their social classes, and their struggles. Herein lies the film\u2019s beauty, which enables the viewer, during these fleeting moments, to empathize with these characters as if they\u2019re old friends and family. <\/p>\n<p style=\"padding:0;margin:0;line-height:1.15;orphans:2;widows:2;text-align:left\"><strong>The film grants the viewer a front-row seat into the lives of these women.<\/strong> For each and every character, these moments represent a pivotal turning point. We watch as drama unfolds, not able to look away for a single second. All stories are told during Spring, which \u2014 contrary to the bright colors that have come to be associated with the season \u2014 represents a time when, for these women, relationships are shattered. <\/p>\n<p style=\"padding:0;margin:0;line-height:1.15;orphans:2;widows:2;text-align:left\"><strong>All four stories are complemented by the warm tunes of Abdel Halim Hafez, Laila <\/strong><strong>Murad, Sabah, Shadia, and Fairuz.<\/strong> These songs \u2014 which we\u2019d argue can be regarded as protagonists themselves \u2014 lend the women and their stories a theatrical and emotional element. All the stories told are ones one may consider mundane \u2014 a daily occurrence; conflicts, misunderstandings, and fights that evolve into permanent feuds. The film stars unfamiliar faces, and in doing so, adds to its realism, resulting in a series of raw and refreshing performances.<\/p>\n<p style=\"padding:0;margin:0;line-height:1.15;orphans:2;widows:2;text-align:left\"><strong>Spring came on laughing is the cinematic equivalent of a soothing breeze<\/strong>, one that offers cinephiles a break from repetitive, convoluted tales, in their stead offering realistic commentary on life \u2014 often harsh, absurd, and at times, dreamy.<\/p>\n<p style=\"padding:0;margin:0;line-height:1.15;orphans:2;widows:2;text-align:left\"><strong>WHERE TO WATCH- <\/strong>The film is currently screening daily at <a target=\"_blank\" href=\"https:\/\/zawyacinema.com\/en\/Films\/Details\/1256\" style=\"\" rel=\"noopener\">Zawya<\/a>, with a <a target=\"_blank\" href=\"https:\/\/www.instagram.com\/p\/DRNJeaCjI5l\/\" style=\"\" rel=\"noopener\">discussion<\/a> with the filmmakers, moderated by Egyptian director Ahmed Abdallah, set to take place following the 7pm screening tomorrow. You can find the trailer on <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=TDxlt5DI188\" style=\"\" rel=\"noopener\">YouTube<\/a> (runtime: 1:14).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>? Spring came on laughing, only to find me melancholic. With a title inspired by Salah Jahin\u2019s poem, Dakhal Al Rabie Yadhak, or Spring Came on Laughing, masterfully portrays the tumultuousness of life \u2014 its sorrows, contradictions, and ironies \u2014 across the many months of the year. The film, which marks writer and director Noha [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":675989,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"newspack_ads_suppress_ads":false,"newspack_popups_has_disabled_popups":false,"newspack_sponsor_sponsorship_scope":"","newspack_sponsor_native_byline_display":"inherit","newspack_sponsor_native_category_display":"inherit","newspack_sponsor_underwriter_style":"inherit","newspack_sponsor_underwriter_placement":"inherit","ep_exclude_from_search":false,"_primary_brand":0,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7370],"tags":[7415,641,6653,12270,2388],"brand":[],"newspack_spnsrs_tax":[],"class_list":["post-675988","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-at-the-movies","tag-at-the-movies","tag-enterprise-recommends","tag-enterprise-weekend","tag-film-tv","tag-worth-watching","wpautop","entry"],"acf":{"mongo_id":"04dfae64-27ef-47cd-a73d-612152832318","order":"5","is_powered_by":false,"story_type":"1","photo_url":"https:\/\/ent.news\/2025\/11\/1507.jpg","photo_position":"above","homepage_title":"","full_issue_title":"Spring Came on Laughing: A masterclass in narrative storytelling","related_issue":[675980],"teaser":"","voice_url":"https:\/\/s3.us-east-1.amazonaws.com\/ent.news\/audio\/2025\/11\/.574aa4eb-b464-46bd-8868-25810acfa52e.mp3"},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.1 (Yoast SEO v27.1.1) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Spring Came on Laughing: A masterclass in narrative storytelling - EnterpriseAM Egypt<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/enterpriseam.com\/egypt\/2025\/11\/21\/spring-came-on-laughing-a-masterclass-in-narrative-storytelling\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Spring Came on Laughing: A masterclass in narrative storytelling\" \/>\n<meta property=\"og:description\" content=\"? Spring came on laughing, only to find me melancholic. With a title inspired by Salah Jahin\u2019s poem, Dakhal Al Rabie Yadhak, or Spring Came on Laughing, masterfully portrays the tumultuousness of life \u2014 its sorrows, contradictions, and ironies \u2014 across the many months of the year. The film, which marks writer and director Noha [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/enterpriseam.com\/egypt\/2025\/11\/21\/spring-came-on-laughing-a-masterclass-in-narrative-storytelling\/\" \/>\n<meta property=\"og:site_name\" content=\"EnterpriseAM Egypt\" \/>\n<meta property=\"article:published_time\" content=\"2025-11-21T00:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/ent.news\/2025\/11\/1507.jpg?fit=%2C&ssl=1\" \/>\n<meta name=\"author\" content=\"enterpriseam admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"enterpriseam admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2025\/11\/21\/spring-came-on-laughing-a-masterclass-in-narrative-storytelling\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2025\/11\/21\/spring-came-on-laughing-a-masterclass-in-narrative-storytelling\/\"},\"author\":{\"name\":\"enterpriseam admin\",\"@id\":\"https:\/\/enterpriseam.com\/egypt\/#\/schema\/person\/ca597032db7e4db868359c123cec256d\"},\"headline\":\"Spring Came on Laughing: A masterclass in narrative storytelling\",\"datePublished\":\"2025-11-21T00:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2025\/11\/21\/spring-came-on-laughing-a-masterclass-in-narrative-storytelling\/\"},\"wordCount\":506,\"publisher\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/#organization\"},\"image\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2025\/11\/21\/spring-came-on-laughing-a-masterclass-in-narrative-storytelling\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/ent.news\/2025\/11\/1507.jpg?fit=%2C&ssl=1\",\"keywords\":[\"At the movies\",\"Enterprise Recommends\",\"Enterprise Weekend\",\"Film &amp; 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The Warrens\u2019 last hurrah: Directed by US filmmaker Michael Chaves and co-written with Australia\u2019s James Wan, we go on one last adventure with Ed and Lorraine Warren in The Conjuring: Last Rites, the fourth installment in the most popular and highest-grossing horror franchise of all time. In Last Rites,\u2026","rel":"","context":"In &quot;At the Movies&quot;","block_context":{"text":"At the Movies","link":"https:\/\/enterpriseam.com\/egypt\/category\/at-the-movies\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ent.news\/2025\/9\/340.jpg?fit=%2C&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":674626,"url":"https:\/\/enterpriseam.com\/egypt\/2025\/10\/31\/al-sada-al-afadel-is-a-ludicrous-comedy-worth-your-time\/","url_meta":{"origin":675988,"position":5},"title":"Al Sada Al Afadel is a ludicrous comedy worth your time","author":"enterpriseam admin","date":"31 October 2025","format":false,"excerpt":"? Deranged, distinguished gentlemen: In Al Sada Al Afadel, filmmakers Mostafa Sakr, Mohamed Ezz El Din, and Abdelrahman Gawish join forces to pen one of the year\u2019s most ridiculously absurd \u2014 yet masterfully produced \u2014 stories. 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