{"id":651663,"date":"2017-02-17T08:30:26","date_gmt":"2017-02-17T08:30:26","guid":{"rendered":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/"},"modified":"2017-02-17T08:30:26","modified_gmt":"2017-02-17T08:30:26","slug":"moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art","status":"publish","type":"post","link":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/","title":{"rendered":"Moroccan artist Joual invokes the raw, the red, and the repulsive in her art"},"content":{"rendered":"

Soukaina Joual<\/strong><\/a> often uses meat as a medium for her art.<\/strong> Joual is not afraid of blood, and doesn\u2019t understand why anyone else would be, either, Zo\u00eb Hu writes in contemporary Middle Eastern arts and culture magazine Reorient<\/a>. Flesh and blood lend much inspiration to Joual, the 26 year-old Moroccan artist whose work is described as spanning \u201cmultiple mediums and often invokes the raw, the red, and the repulsive. Because of its vivid imagery, it sometimes darts into the territory of gore; but what makes Joual\u2019s pieces so provocative in particular is the playfulness involved. There is an underlying gesture in her oeuvre that swivels like a weathervane between the fake and the real.\u201d<\/strong> Her first performance piece \u201cI\u2019m not so innocent<\/a>\u201d (runtime 05:43), for example, is gory, fascinating, and mind-numbing at the same time. In the performance, she takes a piece of meat, slices it, and then manually grinds it. \u201cFlesh: I don\u2019t know if I can call it alive or dead,\u201d she says. \u201c\u2018At one point it will rot, it will change. In a way, it\u2019s still alive.\u2019 The performance is about killing, of course, but also transformation and \u2014 another dry quip \u2014 the boredom that can be found in both processes.\u201d<\/p>\n

For her second performance piece, Joual veered away from meat.<\/strong> She attends a mass protest in Seoul, South Korea wearing a mirrored cube on her head<\/a>. Joual says she attended the march not as a citizen or artist<\/a>, but \u201cas an incarnation, a mirror, a reflection of my external surroundings and how the world around us currently appears\u2026 I was reflecting light, physical images, people\u2019s thoughts and actions.\u201d Hu says the performance \u201cevokes a Daft Punk-esque techno-future of dissent, wherein the watched and the watcher become endlessly confused.<\/strong> Whether it is Joual\u2019s own observance of the protest, or the bystanders taking photos of her (and in turn, themselves reflected in her mirrors), the beam of surveillance bounces back and forth endlessly.\u201d<\/p>\n

On her work with meat, Joual tells Hu \u201cwhat I found funny is that even people here who are used to seeing meat \u2026 pull back. They say, \u2018Oh, that\u2019s too much.\u2019\u201d<\/strong> Much of Joual\u2019s work explores meat\u2019s presence in Morocco and the MENA region, and her work could sometimes seem to have political undertones. \u201cThe Arab World<\/a>, which she presented in 2014, is a map of the Middle East and North Africa reconfigured as a wall of packaged raw beef. Meat\u2019s link to violence is an easily made one, and it only takes the viewer another thoughtless step forward to affix the MENA region onto that relationship; but Joual avoids the obvious constellation of meat-violence-Arab world, instead tinkering with a type of humour that seems almost prankish in how it addresses viewers. For example, an LED sign with the word \u2018halal\u2019<\/a> blazed into its surface may seem to signal vaguely towards meat\u2019s position in a religious value system; yet, a second look discloses the mutually informative relation between language and sense of place that undergirds much of Joual\u2019s work,\u201d Hu explains. \u201cThe joke of the piece is perhaps its own redundancy. The sign\u2019s neon glints slyly off people\u2019s own assumptions, showing how attitudes towards meat are so unthinkingly rooted in personal context; Halal panels can be seen as a necessity, a logical fixture in the urban landscapes and immigrant neighbourhoods of Europe and America. For many, the sign is commercial and utilitarian.\u201d Joual says her inspiration comes from Morocco. \u201cPointing to the caf\u00e9\u2019s refrigerated display, in which sausage links and kebabs have been laid out like pieces of jewellery,\u201d she tells Hu, \u201cI see this image, and I want to take that whole thing and put it in a gallery. I want to say, \u2018This is art.\u2019\u201d<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Soukaina Joual often uses meat as a medium for her art. Joual is not afraid of blood, and doesn\u2019t understand why anyone else would be, either, Zo\u00eb Hu writes in contemporary Middle Eastern arts and culture magazine Reorient. Flesh and blood lend much inspiration to Joual, the 26 year-old Moroccan artist whose work is described […]<\/p>\n","protected":false},"author":1,"featured_media":651664,"comment_status":"closed","ping_status":"open","sticky":false,"template":"single-feature.php","format":"standard","meta":{"_acf_changed":false,"newspack_ads_suppress_ads":false,"newspack_popups_has_disabled_popups":false,"newspack_sponsor_sponsorship_scope":"","newspack_sponsor_native_byline_display":"inherit","newspack_sponsor_native_category_display":"inherit","newspack_sponsor_underwriter_style":"inherit","newspack_sponsor_underwriter_placement":"inherit","ep_exclude_from_search":false,"_primary_brand":0,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12055],"tags":[72,12054],"brand":[],"newspack_spnsrs_tax":[],"class_list":["post-651663","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-someone-to-follow","tag-enterpriseam","tag-someone-to-follow","wpautop","entry"],"acf":{"mongo_id":"664d2f9c-1626-45c6-b041-7018444dd0d2","order":"0","is_powered_by":true,"story_type":"1","photo_url":"https:\/\/ent.news\/2017\/2\/140.jpg","photo_position":"above","related_issue":[651644],"teaser":"","voice_url":""},"yoast_head":"\nMoroccan artist Joual invokes the raw, the red, and the repulsive in her art - EnterpriseAM Egypt<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Moroccan artist Joual invokes the raw, the red, and the repulsive in her art\" \/>\n<meta property=\"og:description\" content=\"Soukaina Joual often uses meat as a medium for her art. Joual is not afraid of blood, and doesn\u2019t understand why anyone else would be, either, Zo\u00eb Hu writes in contemporary Middle Eastern arts and culture magazine Reorient. Flesh and blood lend much inspiration to Joual, the 26 year-old Moroccan artist whose work is described […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/\" \/>\n<meta property=\"og:site_name\" content=\"EnterpriseAM Egypt\" \/>\n<meta property=\"article:published_time\" content=\"2017-02-17T08:30:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?fit=%2C&ssl=1\" \/>\n<meta name=\"author\" content=\"enterpriseam admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"enterpriseam admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/\"},\"author\":{\"name\":\"enterpriseam admin\",\"@id\":\"https:\/\/enterpriseam.com\/egypt\/#\/schema\/person\/ca597032db7e4db868359c123cec256d\"},\"headline\":\"Moroccan artist Joual invokes the raw, the red, and the repulsive in her art\",\"datePublished\":\"2017-02-17T08:30:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/\"},\"wordCount\":648,\"publisher\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/#organization\"},\"image\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?fit=%2C&ssl=1\",\"keywords\":[\"EnterpriseAM\",\"Someone to Follow\"],\"articleSection\":[\"SOMEONE TO FOLLOW\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/\",\"url\":\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/\",\"name\":\"Moroccan artist Joual invokes the raw, the red, and the repulsive in her art - EnterpriseAM Egypt\",\"isPartOf\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?fit=%2C&ssl=1\",\"datePublished\":\"2017-02-17T08:30:26+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?fit=%2C&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?fit=%2C&ssl=1\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/enterpriseam.com\/egypt\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Moroccan artist Joual invokes the raw, the red, and the repulsive in her art\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/enterpriseam.com\/egypt\/#website\",\"url\":\"https:\/\/enterpriseam.com\/egypt\/\",\"name\":\"EnterpriseAM\",\"description\":\"The State of the Nation\",\"publisher\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/enterpriseam.com\/egypt\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/enterpriseam.com\/egypt\/#organization\",\"name\":\"EnterpriseAM\",\"url\":\"https:\/\/enterpriseam.com\/egypt\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/enterpriseam.com\/egypt\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/ent.news\/internal\/240894.svg\",\"contentUrl\":\"https:\/\/ent.news\/internal\/240894.svg\",\"caption\":\"EnterpriseAM\"},\"image\":{\"@id\":\"https:\/\/enterpriseam.com\/egypt\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/enterpriseam.com\/egypt\/#\/schema\/person\/ca597032db7e4db868359c123cec256d\",\"name\":\"enterpriseam admin\",\"sameAs\":[\"http:\/\/enterpriseam.testing.projectsarea.com\"],\"url\":\"https:\/\/enterpriseam.com\/egypt\/author\/enterpriseam\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Moroccan artist Joual invokes the raw, the red, and the repulsive in her art - EnterpriseAM Egypt","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/","og_locale":"en_US","og_type":"article","og_title":"Moroccan artist Joual invokes the raw, the red, and the repulsive in her art","og_description":"Soukaina Joual often uses meat as a medium for her art. Joual is not afraid of blood, and doesn\u2019t understand why anyone else would be, either, Zo\u00eb Hu writes in contemporary Middle Eastern arts and culture magazine Reorient. Flesh and blood lend much inspiration to Joual, the 26 year-old Moroccan artist whose work is described […]","og_url":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/","og_site_name":"EnterpriseAM Egypt","article_published_time":"2017-02-17T08:30:26+00:00","og_image":[{"url":"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?fit=%2C&ssl=1","type":"","width":"","height":""}],"author":"enterpriseam admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"enterpriseam admin","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#article","isPartOf":{"@id":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/"},"author":{"name":"enterpriseam admin","@id":"https:\/\/enterpriseam.com\/egypt\/#\/schema\/person\/ca597032db7e4db868359c123cec256d"},"headline":"Moroccan artist Joual invokes the raw, the red, and the repulsive in her art","datePublished":"2017-02-17T08:30:26+00:00","mainEntityOfPage":{"@id":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/"},"wordCount":648,"publisher":{"@id":"https:\/\/enterpriseam.com\/egypt\/#organization"},"image":{"@id":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?fit=%2C&ssl=1","keywords":["EnterpriseAM","Someone to Follow"],"articleSection":["SOMEONE TO FOLLOW"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/","url":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/","name":"Moroccan artist Joual invokes the raw, the red, and the repulsive in her art - EnterpriseAM Egypt","isPartOf":{"@id":"https:\/\/enterpriseam.com\/egypt\/#website"},"primaryImageOfPage":{"@id":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#primaryimage"},"image":{"@id":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?fit=%2C&ssl=1","datePublished":"2017-02-17T08:30:26+00:00","breadcrumb":{"@id":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#primaryimage","url":"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?fit=%2C&ssl=1","contentUrl":"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?fit=%2C&ssl=1"},{"@type":"BreadcrumbList","@id":"https:\/\/enterpriseam.com\/egypt\/2017\/02\/17\/moroccan-artist-joual-invokes-the-raw-the-red-and-the-repulsive-in-her-art\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/enterpriseam.com\/egypt\/"},{"@type":"ListItem","position":2,"name":"Moroccan artist Joual invokes the raw, the red, and the repulsive in her art"}]},{"@type":"WebSite","@id":"https:\/\/enterpriseam.com\/egypt\/#website","url":"https:\/\/enterpriseam.com\/egypt\/","name":"EnterpriseAM","description":"The State of the Nation","publisher":{"@id":"https:\/\/enterpriseam.com\/egypt\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/enterpriseam.com\/egypt\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/enterpriseam.com\/egypt\/#organization","name":"EnterpriseAM","url":"https:\/\/enterpriseam.com\/egypt\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/enterpriseam.com\/egypt\/#\/schema\/logo\/image\/","url":"https:\/\/ent.news\/internal\/240894.svg","contentUrl":"https:\/\/ent.news\/internal\/240894.svg","caption":"EnterpriseAM"},"image":{"@id":"https:\/\/enterpriseam.com\/egypt\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/enterpriseam.com\/egypt\/#\/schema\/person\/ca597032db7e4db868359c123cec256d","name":"enterpriseam admin","sameAs":["http:\/\/enterpriseam.testing.projectsarea.com"],"url":"https:\/\/enterpriseam.com\/egypt\/author\/enterpriseam\/"}]}},"featured_image_src":"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?resize=600%2C400&ssl=1","featured_image_src_square":"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?resize=600%2C600&ssl=1","author_info":{"display_name":"enterpriseam admin","author_link":"https:\/\/enterpriseam.com\/egypt\/author\/enterpriseam\/"},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/ent.news\/2017\/2\/140.jpg?fit=%2C&ssl=1","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":609249,"url":"https:\/\/enterpriseam.com\/egypt\/2023\/11\/01\/dar-lalla-offers-homemade-moroccan-food\/","url_meta":{"origin":651663,"position":0},"title":"Dar Lalla offers homemade Moroccan food","author":"enterpriseam admin","date":"1 November 2023","format":false,"excerpt":"The cloud kitchen is run by a Moroccan cook who infuses flavors from her home into the dishes","rel":"","context":"In "ENTERPRISE RECOMMENDS"","block_context":{"text":"ENTERPRISE RECOMMENDS","link":"https:\/\/enterpriseam.com\/egypt\/category\/enterprise-recommends-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ent.news\/2023\/11\/42.jpg?fit=%2C&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":635267,"url":"https:\/\/enterpriseam.com\/egypt\/2024\/07\/28\/is-violence-an-inherent-aspect-of-art\/","url_meta":{"origin":651663,"position":1},"title":"Is violence an inherent aspect of art?","author":"enterpriseam admin","date":"28 July 2024","format":false,"excerpt":"? EARS TO THE GROUND- Death of an Artist dives deep into the life and mysterious death of Ana Mendieta, a groundbreaking artist surrounded by controversy in the art world. The podcast, hosted by Helen Molesworth, unfolds like a detective story, as she shares new evidence that reveals the details\u2026","rel":"","context":"In "ENTERPRISE RECOMMENDS"","block_context":{"text":"ENTERPRISE RECOMMENDS","link":"https:\/\/enterpriseam.com\/egypt\/category\/enterprise-recommends-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ent.news\/internal\/536550.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":603291,"url":"https:\/\/enterpriseam.com\/egypt\/2019\/04\/17\/google-doodle-celebrates-birthday-of-egyptian-artist-and-feminist-inji-aflatoun\/","url_meta":{"origin":651663,"position":2},"title":"Google Doodle celebrates birthday of Egyptian artist and feminist Inji Aflatoun","author":"enterpriseam admin","date":"17 April 2019","format":false,"excerpt":"Taking center stage on Google today is late Egyptian artist and feminist Inji Aflatoun, with a Google Doodle celebrating her 95th birthday. Aflatoun was both a prolific artist whose work was characterized by broad and colorful brushstrokes and, according to the National, an outspoken advocate for women\u2019s rights in early\u2026","rel":"","context":"In "ON YOUR WAY OUT"","block_context":{"text":"ON YOUR WAY OUT","link":"https:\/\/enterpriseam.com\/egypt\/category\/on-your-way-out\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ent.news\/2020\/10\/Inji-Aflatoun-1600px.jpg?fit=%2C&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":673338,"url":"https:\/\/enterpriseam.com\/egypt\/2025\/10\/09\/what-does-grief-sound-like\/","url_meta":{"origin":651663,"position":3},"title":"What does grief sound like?","author":"enterpriseam admin","date":"9 October 2025","format":false,"excerpt":"? In Lorde\u2019s sophomore album Melodrama, each form and stage of grief gets the spotlight. From quiet moments of acceptance to unrelenting yet hopelessly futile rage, this is an album that is as raw and honest as it is indeed melodramatic.**In this new monthly section of the Weekend Edition, we\u2026","rel":"","context":"In "NOW PLAYING"","block_context":{"text":"NOW PLAYING","link":"https:\/\/enterpriseam.com\/egypt\/category\/now-playing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ent.news\/2025\/10\/197.jpg?fit=%2C&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":673305,"url":"https:\/\/enterpriseam.com\/egypt\/2025\/10\/08\/reflections-on-art-and-the-self-in-rachel-cusks-parade\/","url_meta":{"origin":651663,"position":4},"title":"Reflections on art and the self in Rachel Cusk\u2019s Parade","author":"enterpriseam admin","date":"8 October 2025","format":false,"excerpt":"? What does it mean to truly experience the self? In a convention-breaking novel, Rachel Cusk presents a philosophical contemplation on identity through an abstract narrative structure. Laureate of the 2024 Goldsmiths Prize, Parade brings together fragments from the lives of various artists, exploring intimate experiences with gender, parenthood, self-perception,\u2026","rel":"","context":"In "Under the Lamplight"","block_context":{"text":"Under the Lamplight","link":"https:\/\/enterpriseam.com\/egypt\/category\/under-the-lamplight\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ent.news\/2025\/10\/308.jpg?fit=%2C&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":545564,"url":"https:\/\/enterpriseam.com\/egypt\/2022\/04\/04\/edita-inaugurates-its-moroccan-production-facility\/","url_meta":{"origin":651663,"position":5},"title":"Edita inaugurates its Moroccan production facility","author":"enterpriseam admin","date":"4 April 2022","format":false,"excerpt":"Edita Food Industries has officially inaugurated its Moroccan plant, according to a company statement(pdf). The snackfoods giant started operations in December at the facility, which is the company\u2019s first greenfield investment outside of Egypt and marks its transformation from manufacturer that exports to a host of regional markets into a\u2026","rel":"","context":"In "Manufacturing"","block_context":{"text":"Manufacturing","link":"https:\/\/enterpriseam.com\/egypt\/category\/industries\/manufacturing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ent.news\/2022\/4\/112.jpg?fit=%2C&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/posts\/651663","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/comments?post=651663"}],"version-history":[{"count":0,"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/posts\/651663\/revisions"}],"acf:post":[{"embeddable":true,"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/issue\/651644"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/media\/651664"}],"wp:attachment":[{"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/media?parent=651663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/categories?post=651663"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/tags?post=651663"},{"taxonomy":"brand","embeddable":true,"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/brand?post=651663"},{"taxonomy":"newspack_spnsrs_tax","embeddable":true,"href":"https:\/\/enterpriseam.com\/egypt\/wp-json\/wp\/v2\/newspack_spnsrs_tax?post=651663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}